One stresses literature’s formal autonomy and downplays its ability to produce direct causal effects in the world. These arguments in defence of the literary text view its effects on readers differently. Ulysses at 100 – start here if you want to read this modernist classic If countries including Ireland, the UK and the US wanted to have a meaningful cultural sphere, then novels needed to be able realistically to represent adult themes. Bodily functions, including sexual activities, were features of the ordinary lives of ordinary people on an ordinary day in Ireland in June 1904. Ulysses includes meticulous descriptions of Dublin geography, buildings, conversations and people. As an autonomous literary work, it was disconnected from causal effects such as the incitement to sexual stimulation, which was one way of describing the effects of pornography.Ī different argument by poet Ezra Pound was to stress that the sexual details in novels formed part of their realism. Ulysses, they claimed, with its experimentation, parallels with Homer’s Odyssey and playful language, was a highly crafted literary artefact. This often rested on strong claims for the book’s specific literary credentials. Literature and pornography were mutually exclusive terms. Eliot at the time was that the censorship of modernist books, including Ulysses, was based on a category mistake. Pictorial Press Ltd/Alamyīut perhaps less obviously, the free speech arguments made in defence of Ulysses and other censored modernist texts have also shaped subsequent debates about literature’s rights to freedom of expression. James Joyce and the first publisher of Ulysses Sylvia Beach. The conflation of literary value with iconoclasm has been a tenacious one. As such, 20th and 21st century world literature has often involved a combative relationship to the law. The freedom to express?Įven after the US courts lifted the ban on Ulysses in 1934 and the obscenity laws changed in many countries, including in 1959 in the UK, novels continued to fall foul of the law. The combination of formal and sexual shock-effects has shaped 20th-century literature. Ulysses was not the only modernist novel to combine formal experimentalism and sexually explicit content, and many others books, such as Lawrence’s The Rainbow, were also censored as obscene. It was radically experimental, which involved new literary techniques, such as that of the interior monologue, and a range of different styles, including a section written as a play script, and another written in the style of a newspaper front page. And it was blasphemous, beginning with the character Buck Mulligan mocking the rituals of the Catholic Church.Ī first edition of James Joyce’s Ulysses, published by Sylvia Beach the Parisian publishing house in 1922. As well as being a vast collection of literary and religious quotations and everyday trivia, it is also an encyclopaedia of obscene words. Ulysses, by the standards of the day, was extremely sexually explicit, showing Bloom being fisted in a brothel and his wife Molly musing on the joys of being “fucked” hard by her lover. Ulysses at 100: why Joyce was so obsessed with the perfect blue cover For many legislators, journalists and other readers, the book was pornographic and blasphemous. Lawrence and Ezra Pound, the idea that Joyce’s experimental work had been banned as obscene was absurd. For many readers, as well as Joyce’s literary contemporaries including W.B. The New York decision to ban Ulysses split global opinion. It was only in Paris in 1922 that Ulysses was finally published as a complete novel through the independent publisher Sylvia Beach. Other countries, including the UK, followed suit. The decision meant that US publishers were prohibited from publishing Ulysses. The editors of the Little Review were taken to court and fined for publishing an obscene work. It was this episode, published in 1920, that caught the attention of the daughter of a New York lawyer, who referred it to the New York Society for the Suppression of Vice. The chapter that became known as “ Nausicaa” features the novel’s main character, Leopold Bloom, masturbating on a beach while gazing at a 17-year-old girl called Gerty McDowell. Ulysses was initially published in instalments in the US literary magazine The Little Review. In fact, it was banned as obscene before it was first published as a complete novel, regarded as a work of perversion. However, it was not always as revered as it is now. James Joyce’s Ulysses, which turns 100 this February, is now central to the literary canon and features on university literature courses around the world.
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